“Oh…A Magician…Well he’d better be good.”
Howard Stern said those words just before Derek Hughes took the stage for his first appearance on America’s Got Talent last week. Stern was doing a great trick himself. He read the minds of many viewers who, at that moment, had every reason to expect a “cheesy” magician. But instead of cheese, we were treated to a masterful piece of magic and showmanship by Derek Hughes.
After Mat Franco made such a strong impression with his magic during the last season of AGT, one may well wonder if Derek Hughes will win America’s Got Talent this year. Maybe the bigger question is… should he win? We think he should — and here’s why.
Derek Hughes – Making Magic Real
In our ever-expanding connected world, “Magician” is an increasingly tough title to claim with any real authority. Say the magic word ‘Siri’ and your telephone will answer impossible questions. It often seems as if our computers can actually read our minds.
Given the accelerated pace of change in our rapidly evolving environment, it has become more challenging than ever to do a trick that really feels like magic; however, Derek did just that.
Hughes’ trick was amazing. His trick was impossible. But these days, that’s often not enough. Derek Hughes should win AGT because he managed to do something more than just an impossible magic trick. He was able to give jaded audience members (how can you get more jaded than Howard Stern?) a truly magical experience.
Magic vs. Magical
And what, you may ask, is the difference between magic, and magical? My friend, the forward thinking magician John Bodine, recently gave a talk at Magic-Con, one of the world’s leading magic conferences – hosted by the enormously talented Dan and Dave Buck.
John gave a talk about the difference between a magic trick and a magical experience. He spoke about how the ‘set’, ‘setting’ and ‘expectations’ of an audience can either empower or limit the potential of a magician’s performance.
The format of America’s Got Talent isn’t built to create the set and setting for mystery entertainment. After all, it’s a reality TV show. Whatever a performer hopes to give the audience, they’d better get to the point — and fast! Hughes, a highly talented magician and comedian, whom I first saw perform nearly two decades ago, pulled it off in an unusually deft and effective way.
First, Derek made me laugh like I was five on my first trip to Disney World. Second, just watching Howard Stern go from jaded to giddy, in the space of moments, showed clearly that Hughes was creating a magical experience so powerful it made Stern himself laugh like a happy child. It was even better than watching Harrison Ford weep for the first time on screen (hint: David Blaine was there and Ford was NOT acting).
The Special Magic Sauce
As a magic teacher, I noticed that Hughes made us ‘feel the magic’ by combining his great trick with two extra elements.
First, he started out with a ‘bit’ that, if I had to guess, was designed to make us think this was going to be the ‘same old thing’. You could even see Howard Stern about to go ‘Gong Show’ on Hughes in the middle of the “ping pong ball” opening trick.
Then Derek made a masterful dramatic turn. Like an expert pilot, he did a controlled dive with that opening, and then beautifully ‘pulled up the stick’ just in time to turn Stern’s expectation on it’s head. The final effect was so far removed from what Howard and many other viewers were expecting, the results weren’t merely effective and deceptive…they were breathtaking.
Derek also used a tool that no amount of magic skill or experience alone can develop. From the moment he introduced himself and spoke about his family, it was clear that Derek hadn’t shown up for attention, approval or even to win the contest. Rather, it came across that he loved magic, and was happy to share it with the world.
Derek combined his warmth as a performer with a keen sense of construction and deft performance chops to create an electrifying performance. In the humble opinion of this audience member, Derek’s warmth played a significant role in his ability to help not only the judges, but many people watching all over the world, feel the experience of real magic.
Transforming the Landscape for Magic and Magicians
When audiences get to watch a performer who works with joy, and has the ability to connect in a genuine way, it can have a powerful emotional effect on that audience. We normally associate this kind of transcendent performance with other, more popular art forms. We get it from our favorite band or a great movie – but oddly, most people don’t expect to get that kind of genuine satisfaction from a magic show. But last week, we saw Derek deliver just that kind of feeling. And that is a very rare thing.
Derek is real magician. He’s developed his craft over years of performing on many stages and many screens. His work demonstrates that a magician can actually deliver on the sacred, silent promise of our work – to create the feeling of magic. This helps magicians and audiences alike.
Magicians finally get people already primed for a magical experience. And audiences get to see magic in a new way – not as a novelty or momentary diversion, but as an art capable of delivering what we really need: a sense of wonder about our lives and the world in which we live.
Aaron Fisher
June 11, 2015
Leave a comment below the post here and I’ll read each and every one.
Hi there! This is the second half of our megapost How to Do Easy Card Tricks: The Ultimate Guide. In the first installment, I talked about 5 great Easy Card Trick Video Tutorials to make sure you get off to a successful start in card magic and 9 Pro Performance Tips to arm you with ancient knowledge the best magicians have used for a centuries. If you missed those powerful video tutorials and tips, you can find them here.

Simple Sleight Video Tutorial #2:
Simple Sleight Video Tutorial #4: 
When we’re just starting out to do magic, a simple web search can stress you out! We see literally thousands of card tricks, moves and techniques. Often, experts seem to imply that without the advanced methods in which they specialize, our magic tricks will be less magical.
This simple advice is often the most difficult for
When we see a great looking trick on screen, we make an unconscious assumption that the trick works in real life the same way it does on video. But most of the time, making tricks look and feel like real magic in front of a live audience requires a different approach. If you want to do magic tricks for real people, you’ll need to to use misdirection.
To get in physical shape, we all know it’s better to exercise for a short time every day than to work out for 8 hours once a week. Practicing magic works the same way. And the good news is – when you have a plan and go about it with the right attitude, it’s actually quite easier than most people think.
No aspect of a trick, or secret sleight, is too small to examine and practice. Most of us start out with the feeling that only the ‘scary parts’ of a require practice. But quite often, it’s the way we handle the smallest details of a trick which can make or break the deception.
If you want the audience to be truly amazed, keep your tricks simple, clear and direct. No matter how easy a trick is technically, or how few moves you have to practice to do it, the more phases in a trick, the more or separate effects within the larger routine, the more difficult it becomes to maintain the clear thread that holds it together clear in actual performance.
The best way for you develop an appreciation for how strong and amazing magic can be is to see it done by the best. Below are clips of two modern masters. Watch them work and you’ll see proof that miracles are possible.
Easy Trick #3:
Easy Card Trick #5: 

At least 80% of the people who get interested in card magic feel that the easiest way to start is by showing your tricks to one person at a time. I know this seems like the best approach – and believe me, I tried it myself when i first started out. But along the way, i discovered a different path that works a lot better.
When we seek out our first audiences, they tend to be members of our family or our close friends. Why? Because they’re willing to watch. And while that can be very comforting, in many cases, it’s easier to amaze perfect strangers than our nearest and dearest.
All the old magic books, and many of the new ones, instruct the new magician in the importance of having an interesting presentation to go along with the magic. And there’s no doubt, if you have an interesting world view or perspective suits your tricks, then presentation can truly enhance the overall experience of your audience. However, without care, this approach can backfire.
Your magic will be astonishing to the extent that your tricks are clear, direct and strong. It’s that simple.
When you pass your hand over the pack, snap your fingers or wave the magic wand – that’s a magic moment. It’s seems so simple to us when we’re learning card tricks, yet most of us never use it, or even take it into account. Even so, from the audiences perspective, this is when the magic actually takes place!
Whether you want to perform easy card tricks like the ones in this handbook, or you aspire to master expert level methods, there’s a simple truth you should keep in mind from the start: magic that directly involves your spectators will have far more impact than tricks where the audience just watches you do magic in your own hands. When we experience great magic – it’s because it happens to us directly. We don’t just watch. We feel the magic because we participate directly in the trick.
When you’re nervous – do the easiest tricks you possibly can. In fact, this is a good time to use an automatic trick. Just make sure there’s no way to get caught or exposed using secret apparatus, sometimes called gaffs. As the old advice goes – the moment someone catches you with a trick deck or special cards, you might as well retire for that audience – you’ll never be able to amaze them again.
You must use well designed tricks that make it easy to guarantee you’ll never get caught using anything other than ordinary cards. My original trick PANIC does just that! It’s helpful when choosing gaffed tricks to be sure the trick ‘ends clean’. In magic, this means that everything can be examined by the audience after the trick. Tricks that end clean are easier to perform confidently because you know that by the time the trick is done, there will be nothing to find.

As a card magic teacher, I regularly get questions from magicians all over asking me for advice on how to move forward. Most of the time, they ask really good questions that demonstrate clearly a genuine desire to to leave the ranks of the ordinary – and become a card magician in the highest sense of the word – A true sleight-of-hand artist – who can take any a deck, any time and create miracles for family, friends or even strangers in public.




